Breaking

Illustrating Events: Curating a Connection through Comics in A.D. New Orleans After the Deluge and Paying the Land Silence and the Self: Illustrating Survival in Maus and Persepolis Dirty and Clean: the Hand-Me-Downs of Racialized Trauma in The Bluest Eye ‘Composed of Many Particulars’: James Boswell on the Principle of Conviction and Character Authenticity in his Various Works The Obscurity of Civil and Savage: an Examination of War and Faith in A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson

Academic

Silence and the Self: Illustrating Survival in Maus and Persepolis

Dirty and Clean: the Hand-Me-Downs of Racialized Trauma in The Bluest Eye

Little Women: Alterations in Adaptations and Falters in Race

The Obscurity of Civil and Savage: an Examination of War and Faith in A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson

‘Composed of Many Particulars’: James Boswell on the Principle of Conviction and Character Authenticity in his Various Works

Purpose and Practice: Irony in Castiglione, Erasmus, and Dentière

Movement as a Means of Agency in “A Half Caste”

Overextension and Illusion: The Reality of Online Sex Work

Illustrating Events: Curating a Connection through Comics in A.D. New Orleans After the Deluge and Paying the Land

Silence and the Self: Illustrating Survival in Maus and Persepolis

Trauma Informed Literature

Dirty and Clean: the Hand-Me-Downs of Racialized Trauma in The Bluest Eye

American Literature 1789-1900

‘Composed of Many Particulars’: James Boswell on the Principle of Conviction and Character Authenticity in his Various Works